THE ROLLING STONES PERFORMING MIDNIGHT RAMBLER/CHAIN FUBU/ LIVE IN LONDON 2012.ENJOY IT
DJANGO PROTEST FREE AMERICA RALLY.WATCH IT The amalgamation of whites with blacks produces a degradation to which no lover of his country, no lover of excellence in the human character, can innocently consent." --Thomas Jefferson 1814
(Also see Jefferson's Notes on the State of Virginia 1781) (For those of you who have given me rep. points, thanks!!)Aragorn: I do not know what strength is in my blood, but I swear to you I will not let the White City fall, nor our people fail.The Founding Fathers did not set up a Republic, where they envisioned a hundred million Third World people with an 85 point IQ average voting.
They also didn't create the Second Amendment for a savage race like the Blacks, who frequently can't control themselves and who commit a massive amount of crime.
Gun Control? How about negro control
RACEWAR IS COMING FOR AMERICA.WACH ITMOTLEY CRUE PERFORMING LIVE SHOUT AT THE DEVIL.ENJOY IT
DORNER A TRUE HORRORNIGGER COP TRAINED AND FINANCED BY THE JEWISH OVERLORDS FROM THE WHITE TAXPAYERS MONEY WENT DJANGO DECLARING IN HIS JEW INSPIRED MANIFESTO A WAR AGAINST THE RACIST WHITE LOS ANGELES POLICE DEPARTMENT ,THE CANNIBAL HAS MANAGED TO KILL 4 PEOPLE BEFORE HE GOT HUNTED DOWN FOR GOOD.THIS VICIOUS GORILLA WAS JUST ANOTHER SON OF THE COMMANDER IN CHIMP OBONGO.
Django Unchained is hard-core Cultural Marxism. Supporters of this doctrine believe that the best way to get the American public to accept Marxism and Totalitarianism is to denigrate, defame, and ridicule Western Civilization, moral values, Christianity, and the family unit. It was devised by the Frankfurt School in the 1930s.
The movie is being released on Christmas Day as a way of denigrating Christmas and the Christian faith.
Jamie Foxx, the star of Django Unchained is promoting the movie by going on anti-white racial rants in public. This weekend, on Saturday Night Live, he stated "I get to kill all the white people, how great is that!"White racism to these people is perfectly alright. The plan is not only
to destroy our majority but to turn us into the enslaved. Think about
this whitey man." - MattwhiteAmerica
"Free yourself from any delusion that discussions of "racism" are held in
good faith. The whole concept is all about psychological warfare
against White people and our culture." - Huginn ok Muninn
"One fact that needs to be pointed out regularly in MSM comment sections and black forums is that the Jews ran the slave trade.
European Whites did not bring the slaves to America.
The Jews brought them here."- Francis White
"Let's see if whites get off easy when they're robbed, raped and/or murdered by vengeful blacks brainwashed by distorted history." - WhiteKnight101
to destroy our majority but to turn us into the enslaved. Think about
this whitey man." - MattwhiteAmerica
"Free yourself from any delusion that discussions of "racism" are held in
good faith. The whole concept is all about psychological warfare
against White people and our culture." - Huginn ok Muninn
"One fact that needs to be pointed out regularly in MSM comment sections and black forums is that the Jews ran the slave trade.
European Whites did not bring the slaves to America.
The Jews brought them here."- Francis White
"Let's see if whites get off easy when they're robbed, raped and/or murdered by vengeful blacks brainwashed by distorted history." - WhiteKnight101
Tarantino and Foxx are pushing the idea that it is cool to hate white people. Imagine for a second that the races were reversed. Imagine if a white star of Zulu went on tv and bragged "I got to kill all the black people, how great is that." He would be crucified.
Whether it is falsifying information about Trayvon Martin, or falsifying US history, the media and Hollywood clearly have an agenda. They actively promote and encourage hatred towards white people.
Mr. Jackson who played the house slave was the main bad guy
he was black
The main source of conflict began with Mr. Jackson and his subversion of his slave masters thoughts and actions
He was the last guy standing against Mr. Fox
Again, Mr. Jackson is black, not white, and is the MOST RACIST of all of the characters in the film, hates whites and hates blacks as well
So... "only white people can be racists" is CLEARLY not what this film was showing
Just more hollywood propaganda to portray that "only white people can be racists".
Sick of all this anti-white crap...
Quoting: Anonymous Coward 31692560 Sick of all this anti-white crap...
Mr. Jackson who played the house slave was the main bad guy
he was black
The main source of conflict began with Mr. Jackson and his subversion of his slave masters thoughts and actions
He was the last guy standing against Mr. Fox
Again, Mr. Jackson is black, not white, and is the MOST RACIST of all of the characters in the film, hates whites and hates blacks as well
So... "only white people can be racists" is CLEARLY not what this film was showing
LEONARDO DI CAPRIO INTERVIEW DJANGO UNCHAINED/CHAIN FUBU/.WATCH IT
The bottom line is that the black race is a cancer of humanity. We need to be polite with them and offer them their own ethnostate where they have autonomy over their own governance. If they reject such efforts because their parasitic existence wouldn't be possible without a White host, then they will end up getting smashed when it all hits the fan. I am confident that there are thousands if not millions of fed up White people out there.
How quick do you think it would take the police to track me down if I said on twitter: "Watching Michael the Brave makes me want to kill Turks" I'm glad to see the brazen anti-white sentiment. This is what awakens whites. Just wait until they see the sleeping giant awaken. Wait and see the Jewish vermin of Hollywood crying for justice as their homes burn from the riots they create. Yes, time is the avenger Perhaps there ought to be some type of class action lawsuit, againt the Tarenterror Thing, and the gruesome White Hating Weinstein Spawn of Satan? 
If you think shipping blacks back to Africa is a feasible solution, you are dead wrong. One step at a time. Without their dependence on the White tax payer and a Western society, they will starve to death. Curse those vile jews for making films like this!
They know perfectly well negroes can't tell movies from reality!! This country has become the most disgusting vile society imaginable thanks to Jews who make this filth, and the liberals and negroes that flock to it. So many aspects of society need to be purged deemed the cause of decadence and degradation. I have so much hate flowing through my veins when seeing things such as this it's hard to contain for me. Anyone who attends this film deserves what's coming to them. Ah how I long for a resugance in white ethnic nationalism to stop this Jew filth once and for all.
If you think shipping blacks back to Africa is a feasible solution, you are dead wrong. One step at a time. Without their dependence on the White tax payer and a Western society, they will starve to death. Curse those vile jews for making films like this!They know perfectly well negroes can't tell movies from reality!! This country has become the most disgusting vile society imaginable thanks to Jews who make this filth, and the liberals and negroes that flock to it. So many aspects of society need to be purged deemed the cause of decadence and degradation. I have so much hate flowing through my veins when seeing things such as this it's hard to contain for me. Anyone who attends this film deserves what's coming to them. Ah how I long for a resugance in white ethnic nationalism to stop this Jew filth once and for all.
__________________
Django Inspires Non-Whites to Murder Whites Within Minutes This movie is the wild imagination and fantasy of a spiritually retarded freak. Where would anti-white hate be without Hollywood constantly inflating such hate infested fantasies?
Quentin Tarantino, the Hollywood director, launched into a furious rant at Channel Four News presenter Krishnan Guru-Murthy after refusing to answer questions about violence in his latest film Django Unchained. I couldn't even bear to look at the comments section of that article, as I'm sure it's filled to the brim with brainwashed liberal idiots screaming "RACIST, BIGOT, RACIST!". It would seem that the modern day liberal sees racism the same way inquisitors in the Middle Ages saw heresy. Facts, logic, etc, were no excuse for heresy then, and they apparently aren't excuses for "racism" today.
A tale of an ex-black slave who goes out to save his woman in the worst plantation imaginable, that deserves to be presented as high drama, as a big opera,’’ says Quentin Tarantino, pictured on the set of “Django Unchained.” and we should ask Tarantino that the ongoing WHITE GENOCIDE WORLDWIDE how big a super drama is in his worldview,but of course for this jewtool goyim thats just fine thats the way it should be.Django Unchained,” which opens Christmas Day, Tarantino also had a revenge story in mind — a chain-gang slave liberated from bondage, who sets off on a mission to rescue his ladylove from a notorious plantation and, in the process, exacts vengeance against his would-be white oppressorsI wanted to make a film about slavery that wouldn’t take place on an alternative planet, but that would actually take place in the real world, but use genre as a way to tell this story, as a way to flip the script,” says Tarantino, 49, perched on a sofa inside a darkened hotel suite overlooking Central Park on a recent dreary afternoon. “By creating and evoking that world in a realistic way, which I think I do, I don’t think this film plays like an alternate history. The history I’m using is very right on. In fact, if anything, I’m actually holding back somewhat from some of the more extreme stuff.”Django Unchained” begins in Texas, when the charismatic, silver-tongued German bounty hunter, Dr. King Schultz (Christoph Waltz), frees the chain gang slave Django (Jamie Foxx), then asks for his help in finding the murderous Brittle brothers. Before long, the unorthodox Schultz has taken Django under his wing and turned him into a fleet-fingered gunslinger and trusted cohort. In return, he’s agreed to help Django rescue his long-lost love Broomhilda (Kerry Washington) from an infamous plantation owned by the sadistic, pseudo-intellectual cotton king Calvin Candie (Leonardo DiCaprio).
Tarantino’s idea was to take his story and set it in the antebellum South just two years before the start of the Civil War, using the western as his jumping-off genre motif. “Westerns all the time bend over backwards not to deal with slavery,” he says. “So I wanted to take slavery and not ignore it, but also tell an exciting adventure story around it.”
Indeed, “Django” unsparingly depicts the brutality, degradation, and surreal grotesqueness of slavery. There are scenes of attack dogs ripping a slave to pieces and slaves being forced to wrestle each other to the death.
“The real challenge, the trick, was to take a 21st-century audience that maybe has become more cosmopolitan and stick them in the middle of the antebellum South, in Mississippi, in the worst of it, and say, ‘Look — this is America. And this is what happened. Deal with this.’ ”
Specifically, Tarantino wanted to tell Django’s story through his own take on the spaghetti western — a key inspiration being the often brutal, blood-soaked films of Sergio Corbucci, who directed the original “Django” in 1966, considered at the time one of the most violent films ever made. Starring Franco Nero in the eponymous role, “Django” spawned a cottage industry of unrelated “sequels,” homages, and low-budget rip-offs that sought to capitalize on Django’s cool, antihero persona.
TARANTINO POSING LIKE A GENIUS HIS ANTI WHITE MASTERPIECE DJANGO UNCHAINED DEFINITELY SUCCEEDED TO AWAKEN A LOT OF WHITES TO THE INEVITABILITY OF THE ONGOING RACEWAR-WHAT ARE THE NIGGERS THE WHITE LIBTARDS AND THEIR JEWMASTERS ARE THINKING,FOR ANY SANE WHITE GUY WITH SOME INSIGHT INTO HISTORY AND PRESENT DAY REALITY ITS CLEAR THAT WE EITHER/ CHAIN FUBU/GET RID OF THE NIGGERS.AS THE WORD WAS USED MORE THAN HUNDRED TIMES IN THE MOVIE COURTESY OF TARANTINO OR WE GET EXTERMINATED BY THE SUBHUMAN NIGGER BEASTS ORCHESTRATED BY THE CHOSEN ONES THE ETERNAL WICKED JEWS.44 MILLION NEGROS ROAMING THE UNITED STATES ITS A WILD JUNGLE-TENS OF THOUSANDS OF WHITE WOMAN GET RAPED THOUSANDS OF WHITES GET TORTURED AND KILLED BY THE SAVAGE NIGGERS WHILE THE JEWMEDIA STAYS SILENT ON THE BY THEM INSTIGATED AND ORGANIZED RACEWAR AGAINST THE WHITES.SPEAKING OF THE HORRIFYING VICIOUS BRUTALITY OF THE NIGGERCRIME IN TODAYS AMERICA IS EASY TO UNDERSTAND WHY THE WHITES WERE DEALING SO HARSH WITH THE NIGGERS IN THE PAST-SEE KU KLUX KLAN FOR EXAMPLE THIS GREAT WHITE SELFDEFENCE ORGANIZATION HAD PROTECTED WHITES FROM THE NIGGER CANNIBALS DON JHONSON PLAYING VERY WELL AS THEIR LEADER,AND LEONARDO DI CAPRIO ALSO REIGND SUPREME AS THE UBERMENSCH PLANTATION OWNER AS HED STATED THE OBVIOUS TRUTH ABOUT THE SMALLER BRAINSIZE OF THE NEGROID SKULL/THEIR IQ BORDERING RETARDATION ABOUT 76 ON AVERAGE-CAN YOU REASON WITH THE BEAST/CHAIN FUBU/TARANTINOS MOVIE IS A GREEN CARD FROM THE JEW MASTERS OF AMERICA TO ACCELERATE THE ONGOING EXTERMINATION OF THE WHITE RACE-FROM NOW ON EVERY STREET NIGGER COULD FREELY ROB RAPE AND MURDER WHITES BECAUSE THEIR COMMANDER IN CHIMP OBONGO IN THE WHITE HOUSE AND THE WEINSTEIN BROTHERS JEWISH CRIMESYNDICATE HAS GIVEN THEM DIVINE AUTHORISATION,JUST TO DO THAT.THIS PROPAGANDA FILM HAD COST 100 MILLION DOLLARS AND ITS A TURNING POINT BY ITSELF IN HISTORY,IT MEANS THAT THE JEWS HAVE REVEALED OPENLY THEIR GENOCIDAL INTENTIONS AGAINST THE ENTIRE WHITE RACE -NO MERCY NO QUARTER FOR US WE ALL HAVE TO BE SLAUGHTERED BY THE NIGGERS AND OTHER DARKIES IN ORDER TO FULFILL THE JEWS REVENGE.WATCH YOUR NEIGHBOURHOOD IN 2013 THINGS GOING TO GET MUCH WORST YOU BET.TARANTINO THIS MAD TWISTED RACETRAITOR GENIUS BLEEDING HEART LIBERAL RETARD WENT SO FAR TO SHOW HIS WHITE GUILT /THE SICK IGNORANT FUCK/IN THE MOVIE,THAT HE HIMSELF APPEARED IN HIS MASTERPIECE OF JEWISH DECEIVING AND GOT BLOWN TO PIECES BY THE HAND OF THE MIGHTY UNCLEAN SAVAGE BEAST DJANGO/CHAIN FUBU/.THAT WAS HILLARIOUS,IT MADE ME HEARTILY LAUGH AS IM SURE IT DID SO MANY OTHER WHITES ITS GOOD RIDDANCE ITS BEST SOLUTION FOR A WICKED THRASH LIKE HIM AND ACTUALLY ITS THE TRUTH,THE NIGGERS ARE GOING TO CANNIBALIZE ALSO THE WHITE LIBTARDS AND THE HOLY JEWISH TRIBE AS WELL.INADVERTENTLY DJANGO UNCHAINED ITS ALSO A PRO WHITE WAKE UP CALL AS IT IS CLEAR THAT IF WERE TO SURVIVE WEVE GOT TO CHAIN FUBU AND REPATRIATE HIS SUBHUMAN TRIBE BACK TO AFRICA IN ONE WAY OR OTHER AND THE CHOSEN ONES FROM JEW YORK JUST LIKE UNCLE ADOLF WANTED TO BUT COULDNT DO DUE TO NOT ENOUGH TIME,BE SETTLED ON THE PARADISE ISLAND OF MADAGASCAR.AS FOR TARANTINO JUST IMAGINE GUYS IF THIS BRILLIANT IDIOT WOULD PRODUCE FOR A CHANGE A PRO WHITE MOVIE ABOUT EVERYDAY REALITY IN PRESENT DAY AMERICA WHERE DJANGO WOULD COMPETE WITH THE INDIAN FROM MACHETE/DANNY TREJO/WHO COULD ROB KILL AND RAPE MORE WHITES FROM EAST TO WEST COAST AND WOULD BE HUNTED DOWN BY THE EXPENDABLES TEAM-ARNOLD AND STALLONE.OF COURSE THE HOLLYWOOD JEWS WOULD NEVER PUT 100 MILLION DOLLARS INTO A PRO WHITE MOVIE,NOT EVEN A DIME THEY WOULD VICIOUSLY OBJECT TO THE UNHOLY IDEA -FUCK WHITEY. Django Unchained: Quentin Tarantino’s New Anti-Southern Racial Revenge Film
Django Unchained
In the course of writing this article, I have drifted far off course, but I felt the historical context of this film was needed.
In many ways, Django Unchained (2012) is the culmination of the American imagination in Black Run America: an anti-White, Hollywood produced racial revenge movie distributed by the Weinstein Brothers (I don’t even have to say it) and set in the American South where a runaway slave becomes a bounty hunter who murders evil plantation owners.
The racial situation in America has swung so far to the other side of the pendulum that Hollywood is now making racially inflammatory movies to cater to the bloodlust in an emerging market of anti-White racial snuff films.
Needless to say, if the racial roles were reversed here, the American Left and the SPLC would be screaming bloody murder about “racism” and “hatred” and “stereotypes,” but because everyone knows that Germans and White Southerners are at the bottom of the racial totem pole in Black Run America, you can get away with making a movie about murdering White Southerners as White Southerners, or Germans as Germans, and make yourself a huge fortune off of it.
There isn’t a “racial double standard” here: it is a single standard that blacks and Jews are noble beings and Southerners and Germans are savage beasts who occupy another rung of the racial ladder somewhere below them.
Shabbos goy, Quentin Tarantino says:
No one in Hollywood has ever taken on “racism” in Nazi Germany or the “evil” American South before. The Pianist? Schindler’s List? Defiance?
We are breaking new ground here: the ground being that playing the Son of God in an American movie ruins your career, but hatred and demonization of White people, Christians, Germans and Southerners is now so mainstream in Hollywood that you have to murder us now (or eat us) to be edgy and take it to the next level.
Freddy Goldstein writes at YouTube:
Django Inspires Non-Whites to Murder Whites Within Minutes This movie is the wild imagination and fantasy of a spiritually retarded freak. Where would anti-white hate be without Hollywood constantly inflating such hate infested fantasies?
DON JHONSON INTERVIEW DJANGO UNCHAINED/CHAIN FUBU/
Quentin arantino in furious rant over Django Unchained violence questions Last night I took a break from my usual routine to go see the most controversial film at present, Django Unchained. Brought to you by Quentin Tarantino and the Weinstein Brothers. I don’t think we need to spend any time talking about which tribe the Weinstein brothers belong to but it’s worth mentioning that Tarantino is not a semite. His father was an Italian from Queens in NYC and his mother was of Irish and native American descent. Tarantino is simply a race traitor. He is to the motion picture what the Unfair Campaign in Duluth, Minnesota is to public relations. Actually Django Unchained is the 2nd movie Tarantino has made which depict whites being slaughtered at the hands of non-Whites. The first was Machete, in which Mexicans in the southwest did the chopping. Tarantino is just a product of semitic dominance in America. METALLICA PERFORMING HATE TRAIN LIVE/REMEMBER CHAIN FUBU/ENJOY IT
CHRISTOPHE WALTZ INTERVIEW DJANGO UNCHAINED/CHAIN FUBU/WATCH IT
Quentin Tarantino, the Hollywood director, launched into a furious rant at Channel Four News presenter Krishnan Guru-Murthy after refusing to answer questions about violence in his latest film Django Unchained. I couldn't even bear to look at the comments section of that article, as I'm sure it's filled to the brim with brainwashed liberal idiots screaming "RACIST, BIGOT, RACIST!". It would seem that the modern day liberal sees racism the same way inquisitors in the Middle Ages saw heresy. Facts, logic, etc, were no excuse for heresy then, and they apparently aren't excuses for "racism" today.
Coulter had made similar remarks regarding balkinization in America and how devastating the 1965 Immigration and Nationalization Act the Kennedy boys (John and Teddy) passedInterracial Crime
Of the nearly 770,000 violent interracial crimes committed every
year involving blacks and whites, blacks commit 85 percent and whites
commit 15 percent.
Blacks commit more violent crime against whites than against
blacks. Forty-five percent of their victims are white, 43 percent are
black, and 10 percent are Hispanic. When whites commit violent crime,
only three percent of their victims are black.
Blacks are an estimated 39 times more likely to commit a violent
crime against a white than vice versa, and 136 times more likely to
commit robbery.
Blacks are 2.25 times more likely to commit officially-designated hate crimes against whites than vice versa. 
A tale of an ex-black slave who goes out to save his woman in the worst plantation imaginable, that deserves to be presented as high drama, as a big opera,’’ says Quentin Tarantino, pictured on the set of “Django Unchained.” and we should ask Tarantino that the ongoing WHITE GENOCIDE WORLDWIDE how big a super drama is in his worldview,but of course for this jewtool goyim thats just fine thats the way it should be.Django Unchained,” which opens Christmas Day, Tarantino also had a revenge story in mind — a chain-gang slave liberated from bondage, who sets off on a mission to rescue his ladylove from a notorious plantation and, in the process, exacts vengeance against his would-be white oppressorsI wanted to make a film about slavery that wouldn’t take place on an alternative planet, but that would actually take place in the real world, but use genre as a way to tell this story, as a way to flip the script,” says Tarantino, 49, perched on a sofa inside a darkened hotel suite overlooking Central Park on a recent dreary afternoon. “By creating and evoking that world in a realistic way, which I think I do, I don’t think this film plays like an alternate history. The history I’m using is very right on. In fact, if anything, I’m actually holding back somewhat from some of the more extreme stuff.”Django Unchained” begins in Texas, when the charismatic, silver-tongued German bounty hunter, Dr. King Schultz (Christoph Waltz), frees the chain gang slave Django (Jamie Foxx), then asks for his help in finding the murderous Brittle brothers. Before long, the unorthodox Schultz has taken Django under his wing and turned him into a fleet-fingered gunslinger and trusted cohort. In return, he’s agreed to help Django rescue his long-lost love Broomhilda (Kerry Washington) from an infamous plantation owned by the sadistic, pseudo-intellectual cotton king Calvin Candie (Leonardo DiCaprio).Tarantino’s idea was to take his story and set it in the antebellum South just two years before the start of the Civil War, using the western as his jumping-off genre motif. “Westerns all the time bend over backwards not to deal with slavery,” he says. “So I wanted to take slavery and not ignore it, but also tell an exciting adventure story around it.”
Indeed, “Django” unsparingly depicts the brutality, degradation, and surreal grotesqueness of slavery. There are scenes of attack dogs ripping a slave to pieces and slaves being forced to wrestle each other to the death.
“The real challenge, the trick, was to take a 21st-century audience that maybe has become more cosmopolitan and stick them in the middle of the antebellum South, in Mississippi, in the worst of it, and say, ‘Look — this is America. And this is what happened. Deal with this.’ ”
Specifically, Tarantino wanted to tell Django’s story through his own take on the spaghetti western — a key inspiration being the often brutal, blood-soaked films of Sergio Corbucci, who directed the original “Django” in 1966, considered at the time one of the most violent films ever made. Starring Franco Nero in the eponymous role, “Django” spawned a cottage industry of unrelated “sequels,” homages, and low-budget rip-offs that sought to capitalize on Django’s cool, antihero persona.
AEROSMITH PERFORMING LEGENDARY CHILD.ENJOY ITTWISTED SISTER IGNORANT VIEWS ON DJANGO UNCHAINED.WATCH IT
Tarantino has observed that the heroes in Corbucci’s films became much darker and morally compromised over time — and would probably be viewed as bad guys in different films. But he fully intended for Django to be the hero of his story, even likening the first section of the film to a superhero origin tale in a comic book.TARANTINO POSING LIKE A GENIUS HIS ANTI WHITE MASTERPIECE DJANGO UNCHAINED DEFINITELY SUCCEEDED TO AWAKEN A LOT OF WHITES TO THE INEVITABILITY OF THE ONGOING RACEWAR-WHAT ARE THE NIGGERS THE WHITE LIBTARDS AND THEIR JEWMASTERS ARE THINKING,FOR ANY SANE WHITE GUY WITH SOME INSIGHT INTO HISTORY AND PRESENT DAY REALITY ITS CLEAR THAT WE EITHER/ CHAIN FUBU/GET RID OF THE NIGGERS.AS THE WORD WAS USED MORE THAN HUNDRED TIMES IN THE MOVIE COURTESY OF TARANTINO OR WE GET EXTERMINATED BY THE SUBHUMAN NIGGER BEASTS ORCHESTRATED BY THE CHOSEN ONES THE ETERNAL WICKED JEWS.44 MILLION NEGROS ROAMING THE UNITED STATES ITS A WILD JUNGLE-TENS OF THOUSANDS OF WHITE WOMAN GET RAPED THOUSANDS OF WHITES GET TORTURED AND KILLED BY THE SAVAGE NIGGERS WHILE THE JEWMEDIA STAYS SILENT ON THE BY THEM INSTIGATED AND ORGANIZED RACEWAR AGAINST THE WHITES.SPEAKING OF THE HORRIFYING VICIOUS BRUTALITY OF THE NIGGERCRIME IN TODAYS AMERICA IS EASY TO UNDERSTAND WHY THE WHITES WERE DEALING SO HARSH WITH THE NIGGERS IN THE PAST-SEE KU KLUX KLAN FOR EXAMPLE THIS GREAT WHITE SELFDEFENCE ORGANIZATION HAD PROTECTED WHITES FROM THE NIGGER CANNIBALS DON JHONSON PLAYING VERY WELL AS THEIR LEADER,AND LEONARDO DI CAPRIO ALSO REIGND SUPREME AS THE UBERMENSCH PLANTATION OWNER AS HED STATED THE OBVIOUS TRUTH ABOUT THE SMALLER BRAINSIZE OF THE NEGROID SKULL/THEIR IQ BORDERING RETARDATION ABOUT 76 ON AVERAGE-CAN YOU REASON WITH THE BEAST/CHAIN FUBU/TARANTINOS MOVIE IS A GREEN CARD FROM THE JEW MASTERS OF AMERICA TO ACCELERATE THE ONGOING EXTERMINATION OF THE WHITE RACE-FROM NOW ON EVERY STREET NIGGER COULD FREELY ROB RAPE AND MURDER WHITES BECAUSE THEIR COMMANDER IN CHIMP OBONGO IN THE WHITE HOUSE AND THE WEINSTEIN BROTHERS JEWISH CRIMESYNDICATE HAS GIVEN THEM DIVINE AUTHORISATION,JUST TO DO THAT.THIS PROPAGANDA FILM HAD COST 100 MILLION DOLLARS AND ITS A TURNING POINT BY ITSELF IN HISTORY,IT MEANS THAT THE JEWS HAVE REVEALED OPENLY THEIR GENOCIDAL INTENTIONS AGAINST THE ENTIRE WHITE RACE -NO MERCY NO QUARTER FOR US WE ALL HAVE TO BE SLAUGHTERED BY THE NIGGERS AND OTHER DARKIES IN ORDER TO FULFILL THE JEWS REVENGE.WATCH YOUR NEIGHBOURHOOD IN 2013 THINGS GOING TO GET MUCH WORST YOU BET.TARANTINO THIS MAD TWISTED RACETRAITOR GENIUS BLEEDING HEART LIBERAL RETARD WENT SO FAR TO SHOW HIS WHITE GUILT /THE SICK IGNORANT FUCK/IN THE MOVIE,THAT HE HIMSELF APPEARED IN HIS MASTERPIECE OF JEWISH DECEIVING AND GOT BLOWN TO PIECES BY THE HAND OF THE MIGHTY UNCLEAN SAVAGE BEAST DJANGO/CHAIN FUBU/.THAT WAS HILLARIOUS,IT MADE ME HEARTILY LAUGH AS IM SURE IT DID SO MANY OTHER WHITES ITS GOOD RIDDANCE ITS BEST SOLUTION FOR A WICKED THRASH LIKE HIM AND ACTUALLY ITS THE TRUTH,THE NIGGERS ARE GOING TO CANNIBALIZE ALSO THE WHITE LIBTARDS AND THE HOLY JEWISH TRIBE AS WELL.INADVERTENTLY DJANGO UNCHAINED ITS ALSO A PRO WHITE WAKE UP CALL AS IT IS CLEAR THAT IF WERE TO SURVIVE WEVE GOT TO CHAIN FUBU AND REPATRIATE HIS SUBHUMAN TRIBE BACK TO AFRICA IN ONE WAY OR OTHER AND THE CHOSEN ONES FROM JEW YORK JUST LIKE UNCLE ADOLF WANTED TO BUT COULDNT DO DUE TO NOT ENOUGH TIME,BE SETTLED ON THE PARADISE ISLAND OF MADAGASCAR.AS FOR TARANTINO JUST IMAGINE GUYS IF THIS BRILLIANT IDIOT WOULD PRODUCE FOR A CHANGE A PRO WHITE MOVIE ABOUT EVERYDAY REALITY IN PRESENT DAY AMERICA WHERE DJANGO WOULD COMPETE WITH THE INDIAN FROM MACHETE/DANNY TREJO/WHO COULD ROB KILL AND RAPE MORE WHITES FROM EAST TO WEST COAST AND WOULD BE HUNTED DOWN BY THE EXPENDABLES TEAM-ARNOLD AND STALLONE.OF COURSE THE HOLLYWOOD JEWS WOULD NEVER PUT 100 MILLION DOLLARS INTO A PRO WHITE MOVIE,NOT EVEN A DIME THEY WOULD VICIOUSLY OBJECT TO THE UNHOLY IDEA -FUCK WHITEY. Django Unchained: Quentin Tarantino’s New Anti-Southern Racial Revenge FilmDjango Unchained
In the course of writing this article, I have drifted far off course, but I felt the historical context of this film was needed.
In many ways, Django Unchained (2012) is the culmination of the American imagination in Black Run America: an anti-White, Hollywood produced racial revenge movie distributed by the Weinstein Brothers (I don’t even have to say it) and set in the American South where a runaway slave becomes a bounty hunter who murders evil plantation owners.
The racial situation in America has swung so far to the other side of the pendulum that Hollywood is now making racially inflammatory movies to cater to the bloodlust in an emerging market of anti-White racial snuff films.
Needless to say, if the racial roles were reversed here, the American Left and the SPLC would be screaming bloody murder about “racism” and “hatred” and “stereotypes,” but because everyone knows that Germans and White Southerners are at the bottom of the racial totem pole in Black Run America, you can get away with making a movie about murdering White Southerners as White Southerners, or Germans as Germans, and make yourself a huge fortune off of it.
There isn’t a “racial double standard” here: it is a single standard that blacks and Jews are noble beings and Southerners and Germans are savage beasts who occupy another rung of the racial ladder somewhere below them.
Shabbos goy, Quentin Tarantino says:
“The title character Django is a freed slave, who under the tutelage of a German bounty hunter (Christoph Waltz) becomes a badass bounty hunter himself and after assisting Waltz on taking down some bad guys for profit, is in turn assisted by Waltz in tracking down his slave wife and liberating her from an evil plantation owner. And that doesn’t even half begin to cover it! This film deals with racism as I’ve rarely seen it handled in a Hollywood film. While it’s 100 percent pure popcorn and revenge flick, it is pure genius in the way it takes on the evil slave owning south. Think of what he did with the Nazis in Inglourious and you’ll get a sense of what he’s doing with slave owners and slave overseers in this one. It’s violent and funny and full of great Tarantino monologues and shoot outs (and slave rapes and slave tortures) and the center piece of the script is this fantastic relationship between Django and his Obi-Wan Waltz and it all just f*cking works in the way only Tarantino makes it work.”It “f*cking works,” man.
No one in Hollywood has ever taken on “racism” in Nazi Germany or the “evil” American South before. The Pianist? Schindler’s List? Defiance?
We are breaking new ground here: the ground being that playing the Son of God in an American movie ruins your career, but hatred and demonization of White people, Christians, Germans and Southerners is now so mainstream in Hollywood that you have to murder us now (or eat us) to be edgy and take it to the next level.
Freddy Goldstein writes at YouTube:
“This is truly? a wet dream for me. All neo-nazi white supremacists deserve far worse than this. But this is ine of the greatest scenes ever in one of the best films of all time. Hail Bear!”The Thor boycott was a good idea. We need to take it to the next level and boycott all Hollywood movies though.
In an extraordinary promotional interview yesterday, the 49 year-old “erupted” after being asked on his views on violent films and why he enjoyed making them.
During the furious “tantrumtino”, the Pulp Fiction director, who was in Britain for the premiere of his new violent spaghetti revenge drama last night, claimed he was not the news presenter’s “slave”, “master” or “monkey”.
He threatened the stunned presenter, who remained calm during the entire eight and half minute interview, that he was “shutting your butt down” after he refused to stop asking “tough” questions on the topic. His battle with the presenter appears roughly four minutes into the clip.
He admitted that he would only answer questions from the journalist, who confessed to being a fan of the director’s work, to “sell” his Western film because “this is a commercial for the movie – make no mistake
The clearly flustered film maker, who became more heated as the interview progressed, further complained that his Oscar-nominated movie was “good cinema”, was “not real life” and was instead “fantasy”. It also contained “cathartic violence”.
The man behind other violent classics “Reservoir Dogs”, “Kill Bill” and “Inglorious Basterds” became enraged when asked why he is so adamant violence in movies was not to blame for real-life killings.
He denied there was a “relationship” with violence in movies to tragic events that occur in real life.
The clearly flustered film maker, who became more heated as the interview progressed, further complained that his Oscar-nominated movie was “good cinema”, was “not real life” and was instead “fantasy”. It also contained “cathartic violence”.
The man behind other violent classics “Reservoir Dogs”, “Kill Bill” and “Inglorious Basterds” became enraged when asked why he is so adamant violence in movies was not to blame for real-life killings.
He denied there was a “relationship” with violence in movies to tragic events that occur in real life.
Quentin Tarantino not 'wasting time' over Spike Lee
Film director Quentin Tarantino refuses to hit back at Spike Lee over claims that Django Unchained is 'disrespectful to my ancestors'
Director Quentin Tarantino gestures as he poses during the photocall of his movie Django Unchained on January 4, 2013 in Rome Photo:
American film director Quentin Tarantino said today he would not "waste time" responding to Spike Lee's criticism of his new film Django Unchained.
In an interview with YourBlackWorld.net, Nation of Islam leader Louis Farrakhan interpreted the movie Django Unchained as "preparation for a race war." “To me, the movie had a purpose,” he said. “If a black man came out of that movie thinking like Django and white people came out of that movie seeing the slaughter of white people and they are armed to the teeth, it’s preparation for a race war.”
In an interview with YourBlackWorld.net, Nation of Islam leader Louis Farrakhan interpreted the movie Django Unchained as "preparation for a race war." “To me, the movie had a purpose,” he said. “If a black man came out of that movie thinking like Django and white people came out of that movie seeing the slaughter of white people and they are armed to the teeth, it’s preparation for a race war.”
We’re roller skating in a nitroglycerin factory.
Anybody falls down, and it’s going to be Rwanda times Bosnia on steroids.
Anybody falls down, and it’s going to be Rwanda times Bosnia on steroids.
The film has kicked up a fierce row in the United States, where African-American director Lee said he would not be watching because it would be "disrespectful to my ancestors". "American Slavery Was Not A Sergio Leone Spaghetti Western. It Was A Holocaust. My Ancestors Are Slaves. Stolen From Africa. I Will Honor Them," Lee wrote on Twitter last week, after vowing to boycott the movie.
Spaghetti Westerns were the talk of the town in Rome today as US arrived to receive a lifetime career prize at the premiere of Django Unchained - a homage to Italian-made cowboy movies from the 1960s.
Tarantino said "Macaroni Westerns" by cult directors Sergio Corbucci and Sergio Leone were his favourites because they were so "surreal and extreme".
The title of his latest film is a direct reference to Corbucci's "Django" from 1966 and the lead actor of that film, Franco Nero, plays a cameo role.Wow. Just... wow. It's not that often that one gets to see somebody showing everyone his total insecurity and raving mania in public. Quentin Tarantino is one of the most pathetic individuals alive today...
What's more, the greedy, insensitive, drugged-out, uncouth and discourteous creep knows it is true!
Farrakhan on 'Django Unchained': 'It's Preparation for Race War'
Boston Globe Says 'Django Unchained' Conjures House Negroes like Clarence Thomas, Herman Cain
look at him the face of pure negroid evil samuel l. jackson masterly performed his role in django unchained as uncle sam there is probably doesnt exist a meaner more vicious and sinister thug like him on planet earth.
kevin costner refuses to play in the anti white propaganda movie of nut job genius jewtool tarantinogolden globe 2013 christhope waltz wins best supporting act.watch itpantera performig walk./chain fubu/.enjoy it
DJANGO UNCHAINED - Revenge Tarantino Style Throughout history starting with Judas Iscariot, there have always been psychopathic traitors who have done the work of the Chosenites for 30 pieces of silver. In his 2008 op-ed piece in the Los Angeles Times entitled “How Jewish is Hollywood”, Joel Stein presents the cold facts of Hollywood ownership. Stein ends his piece by saying, “But I don't care if Americans think we're running the news media, Hollywood, Wall Street or the government. I just care that we get to keep running them.” So obviously if you are a gentile who wants to gain notoriety in on the movie business you have to be sufficiently psychopathic and sufficiently ethnomasochistic – I refer to the desire to degrade one’s own culture and traditions – to gain the tutelage of your semitic overlords. In the final analysis Tarantino is just an opportunist. If Whites ran Hollywood and there was wholesome family entertainment, his genre of psychopathic torture porn would not see the light of day in any film studios. Furthermore he would be derided as a sick bastard instead of being praised as a visionary film maker. Django Unchained is a 2012 American western film written and directed by Quentin Tarantino. The film stars Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Kerry Washington, and Samuel L. Jackson and was released on December 25, 2012 in North America.[6][7]
Set in the antebellum era of the Deep South and Old West, the film follows a freed slave (Foxx) who treks across America with a bounty hunter (Waltz) on a mission to rescue his wife (Washington) from a cruel and charismatic plantation owner (DiCaprio).
The film received acclaim from critics and is nominated for five Academy Awards including Best Picture, Best Supporting Actor (Waltz) and Best Original Screenplay (Quentin Tarantino). At the 70th Golden Globe Awards, Christoph Waltz won the Golden Globe Award for Best Supporting Actor and Quentin Tarantino won the Golden Globe Award for Best Screenplay. Filmmaker Spike Lee, in an interview with Vibe magazine said he would not see the film, explaining "All I'm going to say is that it's disrespectful to my ancestors. That's just me...I'm not speaking on behalf of anybody else."[68] Lee later tweeted, "American Slavery Was Not A Sergio Leone Spaghetti Western. It Was A Holocaust. My Ancestors Are Slaves. Stolen From Africa. I Will Honor Them."[69]
Writing in The Los Angeles Times, journalist Erin Aubry Kaplan noted the difference between Tarantino's Jackie Brown and Django Unchained: "It is an institution whose horrors need no exaggerating, yet Django does exactly that, either to enlighten or entertain. A white director slinging around the n-word in a homage to '70s blaxploitation à la Jackie Brown is one thing, but the same director turning the savageness of slavery into pulp fiction is quite another."[70]
While hosting NBC's Saturday Night Live, Jamie Foxx joked about being excited "to kill all the white people in the movie".[71] Jeff Kuhner wrote a reaction to the SNL skit for The Washington Times: "Anti-white bigotry has become embedded in our postmodern culture. Take Django Unchained. The movie boils down to one central theme: the white man as devil — a moral scourge who must be eradicated like a lethal virus."[72]
THE WHO PERFORMING NAKED EYE /CHAIN FUBU/ ON THE LEGENDARY ISLE OF WRIGHT CONCERT.ENJOY IT
Django: Race War Propaganda or Just Another Tarantino Bloodfest? yeahJust in time for Christmas, the progenitor of pointless and gratuitous violence, Quentin Tarantino, has come up with a film to rival his contemporary, Robert Rodriguez, in the attempt to create politically exploitable racial tension. Taking its name in part from Sergio Corbucci’s 1966 spaghetti western, Tarantino’s Django Unchained infuses the classic shoot ‘em up western with a distinct racial message – a slave named Django (Jamie Foxx) is recruited as a bounty hunter to find the ruthless Brittle Brothers in exchange for a reunion with his wife, Broomhilda (Kerry Washington). In the process of searching for the elusive brothers, Django visits a variety of Deep South plantations and gets to kill a number of stereotypical slavers.
“Kill white folks and they pay you for it? What’s not to like?” Django responds when asked if enjoys his new profession.
After watching the trailer below, it is difficult to escape the impression that the subtext of the film is that it is perfectly acceptable for one group to torture and murder another group if the group on the receiving end does something reprehensible.
Tarantino’s latest film fits comfortably in the current political landscape where ideas deviating from the “progressive” ideology and its predatory and confiscatory nature are considered acts of racist hostility.
A recent example of this is the irrational assertion by sports writer Jason Whitlock that the NRA is indistinguishable from the KKK. Increasingly, all opposition to the policies of Obama and the Democrats are dismissed as racism – not merely on the lunatic fringe, but in the mainstream. Democrats now habitually refer to Republicans (and non-progressive Independents and especially Ron Paul supporters) as throwback racist troglodytes who will throw a victim class – blacks, Latinos, women, homosexuals and “transgenders” – to the wolves.
Like Robert Rodriguez’s Machete, Django Unchained creates a world of hostility and violence ordered along racial lines. It is propaganda for a race war.
The British Empire used the practice of divide and conquer to keep vassal states in crisis and realize order out of chaos. The global elite today are doing the same. If they are going to conquer humanity, they must make certain humanity never puts aside minor differences and comes together to fight a common enemy.
Django, of course, may be viewed as merely a b-movie directed by a guy who has made a handsome living off gratuitous blood and gore. However, when its inflammatory sub-text is inserted in the tinderbox social and political environment devised by the elite, it may prove far more damaging than its facile and cartoonish exterior reveals on first glance.
DJANGO UNCHAINED/CHAIN FUBU/OFICIAL TRAILER.WATCH IT After the civil war, the south was ravaged by blacks. There were few whole white men left alive..most Civil War survivors were missing an arm or a leg. The blacks-spurred by carpetbaggers- raped and robbed at will. They nearly burned Baton Rouge down to the ground.
I know you didn't know any of this...as you don't know who completely controlled and operated the slave trade.. The iron grip of usury owned all book publishers and newspapers saw to this. How would you ever get anything but "Uncle Tom's Cabin".
Many years of revised history later we are given as truth a piece of racist trash called "Roots". Proven now to be completely plagiarized from a book of fiction called "The African" it is still showed as many times as needed to guilt-up a captive schoolchildren audience and incite the completely puppetized black race to rape and rob AGAIN.
No..six people didn't start Hollywood..six moguls-to-be used money provided by European central banks to create the best ever propaganda tool they called Hollywood. [As the Federal Reserve thefts began to pay off, the major conflict- creator and blame-deflection device of television was purchased outright and exceeds Hollywood in it's corrupting influences.
This newest filth is the just the latest in the century long U.S. campaign to degrade and destroy the U.S. The white Christian family had to be focused on for this to succeed..once they are gone, what's left will be nothing to finish off holy crap, i guess you have never heard about high school cafeterias in california who have to divide the cafeteria between blacks and mexican?
how about black on asian crime? never heard of it? ask a Korean.
blacks are racist period...then there is this:
"After seeing the new Quentin Tarantino movie "Django Unchained," a number of moviegoers issued violent and racist tweets expressing a desire to kill white people, Twitchy reported Sunday.
"Seeing Django reignited my desire to kill white people," said "Flex."
The tweet had been deleted, but many more were available.
"After watching Django, all I wanna do is shoot white people," another person said.
"We need a modern Dy django to kill some white people (sic)," tweeted another.
"#Is It Wrong If u wanna kill all white for 30min after you see Django Unchained (sic)," added "Joey Logan."
"After watching Django all I want to do is eat baked beans and biscuits and shoot white people for money," said "Rusty Nail."
In all, Twitchy posted 13 tweets expressing a racist desire to murder white people."ac/dc performing danger.enjoy it
In his opening monologue last night on Saturday Night Live, host Jamie Foxx joked that President Obama would be "extra black" in his second term. He went on to tell the audience that "I get to kill white people" in his upcoming film Django Unchained, and asked, "How great is that?"
Boston Globe Says 'Django Unchained' Conjures House Negroes like Clarence Thomas, Herman Cain
look at him the face of pure negroid evil samuel l. jackson masterly performed his role in django unchained as uncle sam there is probably doesnt exist a meaner more vicious and sinister thug like him on planet earth.
kevin costner refuses to play in the anti white propaganda movie of nut job genius jewtool tarantinogolden globe 2013 christhope waltz wins best supporting act.watch itpantera performig walk./chain fubu/.enjoy it
DJANGO UNCHAINED - Revenge Tarantino Style Throughout history starting with Judas Iscariot, there have always been psychopathic traitors who have done the work of the Chosenites for 30 pieces of silver. In his 2008 op-ed piece in the Los Angeles Times entitled “How Jewish is Hollywood”, Joel Stein presents the cold facts of Hollywood ownership. Stein ends his piece by saying, “But I don't care if Americans think we're running the news media, Hollywood, Wall Street or the government. I just care that we get to keep running them.” So obviously if you are a gentile who wants to gain notoriety in on the movie business you have to be sufficiently psychopathic and sufficiently ethnomasochistic – I refer to the desire to degrade one’s own culture and traditions – to gain the tutelage of your semitic overlords. In the final analysis Tarantino is just an opportunist. If Whites ran Hollywood and there was wholesome family entertainment, his genre of psychopathic torture porn would not see the light of day in any film studios. Furthermore he would be derided as a sick bastard instead of being praised as a visionary film maker. Django Unchained is a 2012 American western film written and directed by Quentin Tarantino. The film stars Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Kerry Washington, and Samuel L. Jackson and was released on December 25, 2012 in North America.[6][7]
Set in the antebellum era of the Deep South and Old West, the film follows a freed slave (Foxx) who treks across America with a bounty hunter (Waltz) on a mission to rescue his wife (Washington) from a cruel and charismatic plantation owner (DiCaprio).
The film received acclaim from critics and is nominated for five Academy Awards including Best Picture, Best Supporting Actor (Waltz) and Best Original Screenplay (Quentin Tarantino). At the 70th Golden Globe Awards, Christoph Waltz won the Golden Globe Award for Best Supporting Actor and Quentin Tarantino won the Golden Globe Award for Best Screenplay. Filmmaker Spike Lee, in an interview with Vibe magazine said he would not see the film, explaining "All I'm going to say is that it's disrespectful to my ancestors. That's just me...I'm not speaking on behalf of anybody else."[68] Lee later tweeted, "American Slavery Was Not A Sergio Leone Spaghetti Western. It Was A Holocaust. My Ancestors Are Slaves. Stolen From Africa. I Will Honor Them."[69]
Writing in The Los Angeles Times, journalist Erin Aubry Kaplan noted the difference between Tarantino's Jackie Brown and Django Unchained: "It is an institution whose horrors need no exaggerating, yet Django does exactly that, either to enlighten or entertain. A white director slinging around the n-word in a homage to '70s blaxploitation à la Jackie Brown is one thing, but the same director turning the savageness of slavery into pulp fiction is quite another."[70]
While hosting NBC's Saturday Night Live, Jamie Foxx joked about being excited "to kill all the white people in the movie".[71] Jeff Kuhner wrote a reaction to the SNL skit for The Washington Times: "Anti-white bigotry has become embedded in our postmodern culture. Take Django Unchained. The movie boils down to one central theme: the white man as devil — a moral scourge who must be eradicated like a lethal virus."[72]
THE WHO PERFORMING NAKED EYE /CHAIN FUBU/ ON THE LEGENDARY ISLE OF WRIGHT CONCERT.ENJOY IT
Django: Race War Propaganda or Just Another Tarantino Bloodfest? yeahJust in time for Christmas, the progenitor of pointless and gratuitous violence, Quentin Tarantino, has come up with a film to rival his contemporary, Robert Rodriguez, in the attempt to create politically exploitable racial tension. Taking its name in part from Sergio Corbucci’s 1966 spaghetti western, Tarantino’s Django Unchained infuses the classic shoot ‘em up western with a distinct racial message – a slave named Django (Jamie Foxx) is recruited as a bounty hunter to find the ruthless Brittle Brothers in exchange for a reunion with his wife, Broomhilda (Kerry Washington). In the process of searching for the elusive brothers, Django visits a variety of Deep South plantations and gets to kill a number of stereotypical slavers.
“Kill white folks and they pay you for it? What’s not to like?” Django responds when asked if enjoys his new profession.
After watching the trailer below, it is difficult to escape the impression that the subtext of the film is that it is perfectly acceptable for one group to torture and murder another group if the group on the receiving end does something reprehensible.
Tarantino’s latest film fits comfortably in the current political landscape where ideas deviating from the “progressive” ideology and its predatory and confiscatory nature are considered acts of racist hostility.
A recent example of this is the irrational assertion by sports writer Jason Whitlock that the NRA is indistinguishable from the KKK. Increasingly, all opposition to the policies of Obama and the Democrats are dismissed as racism – not merely on the lunatic fringe, but in the mainstream. Democrats now habitually refer to Republicans (and non-progressive Independents and especially Ron Paul supporters) as throwback racist troglodytes who will throw a victim class – blacks, Latinos, women, homosexuals and “transgenders” – to the wolves.
Like Robert Rodriguez’s Machete, Django Unchained creates a world of hostility and violence ordered along racial lines. It is propaganda for a race war.
The British Empire used the practice of divide and conquer to keep vassal states in crisis and realize order out of chaos. The global elite today are doing the same. If they are going to conquer humanity, they must make certain humanity never puts aside minor differences and comes together to fight a common enemy.
Django, of course, may be viewed as merely a b-movie directed by a guy who has made a handsome living off gratuitous blood and gore. However, when its inflammatory sub-text is inserted in the tinderbox social and political environment devised by the elite, it may prove far more damaging than its facile and cartoonish exterior reveals on first glance.
“Kill white folks and they pay you for it? What’s not to like?” Django responds when asked if enjoys his new profession.
After watching the trailer below, it is difficult to escape the impression that the subtext of the film is that it is perfectly acceptable for one group to torture and murder another group if the group on the receiving end does something reprehensible.
Tarantino’s latest film fits comfortably in the current political landscape where ideas deviating from the “progressive” ideology and its predatory and confiscatory nature are considered acts of racist hostility.
A recent example of this is the irrational assertion by sports writer Jason Whitlock that the NRA is indistinguishable from the KKK. Increasingly, all opposition to the policies of Obama and the Democrats are dismissed as racism – not merely on the lunatic fringe, but in the mainstream. Democrats now habitually refer to Republicans (and non-progressive Independents and especially Ron Paul supporters) as throwback racist troglodytes who will throw a victim class – blacks, Latinos, women, homosexuals and “transgenders” – to the wolves.
Like Robert Rodriguez’s Machete, Django Unchained creates a world of hostility and violence ordered along racial lines. It is propaganda for a race war.
The British Empire used the practice of divide and conquer to keep vassal states in crisis and realize order out of chaos. The global elite today are doing the same. If they are going to conquer humanity, they must make certain humanity never puts aside minor differences and comes together to fight a common enemy.
Django, of course, may be viewed as merely a b-movie directed by a guy who has made a handsome living off gratuitous blood and gore. However, when its inflammatory sub-text is inserted in the tinderbox social and political environment devised by the elite, it may prove far more damaging than its facile and cartoonish exterior reveals on first glance.
DJANGO UNCHAINED/CHAIN FUBU/OFICIAL TRAILER.WATCH IT After the civil war, the south was ravaged by blacks. There were few whole white men left alive..most Civil War survivors were missing an arm or a leg. The blacks-spurred by carpetbaggers- raped and robbed at will. They nearly burned Baton Rouge down to the ground.
I know you didn't know any of this...as you don't know who completely controlled and operated the slave trade.. The iron grip of usury owned all book publishers and newspapers saw to this. How would you ever get anything but "Uncle Tom's Cabin".
Many years of revised history later we are given as truth a piece of racist trash called "Roots". Proven now to be completely plagiarized from a book of fiction called "The African" it is still showed as many times as needed to guilt-up a captive schoolchildren audience and incite the completely puppetized black race to rape and rob AGAIN.
No..six people didn't start Hollywood..six moguls-to-be used money provided by European central banks to create the best ever propaganda tool they called Hollywood. [As the Federal Reserve thefts began to pay off, the major conflict- creator and blame-deflection device of television was purchased outright and exceeds Hollywood in it's corrupting influences.
This newest filth is the just the latest in the century long U.S. campaign to degrade and destroy the U.S. The white Christian family had to be focused on for this to succeed..once they are gone, what's left will be nothing to finish off holy crap, i guess you have never heard about high school cafeterias in california who have to divide the cafeteria between blacks and mexican?
how about black on asian crime? never heard of it? ask a Korean.
blacks are racist period...then there is this:
"After seeing the new Quentin Tarantino movie "Django Unchained," a number of moviegoers issued violent and racist tweets expressing a desire to kill white people, Twitchy reported Sunday.
"Seeing Django reignited my desire to kill white people," said "Flex."
The tweet had been deleted, but many more were available.
"After watching Django, all I wanna do is shoot white people," another person said.
"We need a modern Dy django to kill some white people (sic)," tweeted another.
"#Is It Wrong If u wanna kill all white for 30min after you see Django Unchained (sic)," added "Joey Logan."
"After watching Django all I want to do is eat baked beans and biscuits and shoot white people for money," said "Rusty Nail."
In all, Twitchy posted 13 tweets expressing a racist desire to murder white people."ac/dc performing danger.enjoy it
I know you didn't know any of this...as you don't know who completely controlled and operated the slave trade.. The iron grip of usury owned all book publishers and newspapers saw to this. How would you ever get anything but "Uncle Tom's Cabin".
Many years of revised history later we are given as truth a piece of racist trash called "Roots". Proven now to be completely plagiarized from a book of fiction called "The African" it is still showed as many times as needed to guilt-up a captive schoolchildren audience and incite the completely puppetized black race to rape and rob AGAIN.
No..six people didn't start Hollywood..six moguls-to-be used money provided by European central banks to create the best ever propaganda tool they called Hollywood. [As the Federal Reserve thefts began to pay off, the major conflict- creator and blame-deflection device of television was purchased outright and exceeds Hollywood in it's corrupting influences.
This newest filth is the just the latest in the century long U.S. campaign to degrade and destroy the U.S. The white Christian family had to be focused on for this to succeed..once they are gone, what's left will be nothing to finish off holy crap, i guess you have never heard about high school cafeterias in california who have to divide the cafeteria between blacks and mexican?
how about black on asian crime? never heard of it? ask a Korean.
blacks are racist period...then there is this:
"After seeing the new Quentin Tarantino movie "Django Unchained," a number of moviegoers issued violent and racist tweets expressing a desire to kill white people, Twitchy reported Sunday.
"Seeing Django reignited my desire to kill white people," said "Flex."
The tweet had been deleted, but many more were available.
"After watching Django, all I wanna do is shoot white people," another person said.
"We need a modern Dy django to kill some white people (sic)," tweeted another.
"#Is It Wrong If u wanna kill all white for 30min after you see Django Unchained (sic)," added "Joey Logan."
"After watching Django all I want to do is eat baked beans and biscuits and shoot white people for money," said "Rusty Nail."
In all, Twitchy posted 13 tweets expressing a racist desire to murder white people."ac/dc performing danger.enjoy it
In his opening monologue last night on Saturday Night Live, host Jamie Foxx joked that President Obama would be "extra black" in his second term. He went on to tell the audience that "I get to kill white people" in his upcoming film Django Unchained, and asked, "How great is that?"
